March 11, 2008Blurring the Color Line: Possibilities for Ethno-Racial Change in Early 21st Century AmericaLecture 1: Lessons From the PastNathan I. Huggins Lecture Series
March 8, 2007Rehearsal for Freedom in Black Country: Performing Race, Gender, and Class in South Carolina 1870-1954Lecture 3: Act III: Maude CallenNathan I. Huggins Lecture Series
March 7, 2007Rehearsal for Freedom in Black Country: Performing Race, Gender, and Class in South Carolina 1870-1954Lecture 2: Act II: Matilda A. EvansNathan I. Huggins Lecture Series
March 6, 2007Rehearsal for Freedom in Black Country: Performing Race, Gender, and Class in South Carolina 1870-1954Lecture 1: Act I: Martha SchofieldNathan I. Huggins Lecture Series
October 3, 2008Deconstructing Opera, Creating Opera in a Post-Colonial WorldLecture 3: Referentiality: Memory and Subtext: The Resonance in Cultural Memory, Creating Time, Place, and AttitudeAlain LeRoy Locke Lecture Series
October 2, 2008Deconstructing Opera, Creating Opera in a Post-Colonial WorldLecture 2: The Trickster -- The Recurring Role of the Trickster, Dancing on the Cultural Divide, Playing with the Post-Modern, Retelling HistoryAlain LeRoy Locke Lecture Series
October 1, 2008Deconstructing Opera, Creating Opera in a Post-Colonial WorldLecture 1: Why Opera? Opera as a Subversive Act, or the "Decolonization" of Art MusicAlain LeRoy Locke Lecture Series
February 22, 2007The Grand Kongo Tradition: Art Histories of Ecstasy and LawLecture 3: Mambo: Grand SynthesisW. E. B. Du Bois Lecture Series
February 21, 2007The Grand Kongo Tradition: Art Histories of Ecstasy and LawLecture 2: Melanin Miscount: Argentine Candombe, Milonga, and TangoW. E. B. Du Bois Lecture Series
February 20, 2007The Grand Kongo Tradition: Art Histories of Ecstasy and LawLecture 1: Mayembo ye Mambu: The Kongo Fusion of Ecstasy and JurisprudenceW. E. B. Du Bois Lecture Series